• [ Pobierz całość w formacie PDF ]
    SEPTEMBER 2013
    $5.95
    Canada $6.95
    The smallest camera makes the biggest images.
    This still frame was pulled from 5k RED EPIC® motion footage from
    Elysium
    © 2013 CTMG. All rights reserved.
    www.red.com
    © 2012 Red.com, Inc. All rights reserved.
    “
    The Red One was like getting our hands on the future for
    District 9
    . The Epic is a fantastic evolutionary leap forward. Its
    compact form, image quality and resolution were a perfect
    t for both the grittiness of future Los Angeles and the
    pristine offworld landscapes of
    Elysium
    .
    ”
    – Trent Opaloch
    “
    It was love at first sight, when my assistant Dean Friss introduced me to the Hollywood Black
    Magic
    ™
    filters. They made 22 episodes of ‘Secret Circle’ look magical.
    They were the first things I packed for ‘Game of Thrones’. I knew they would be the perfect
    companions to the fabulous ARRI Alexa. These filters work great at softening and ‘romanticizing’
    without the image ever looking un-sharp in day/night and interior/exterior shots.
    At one point, I had a huge banquet scene in ‘Game’ that was lit almost entirely with candles.
    Hollywood Black Magic filters helped to spread and soften that candlelight beautifully
    in a very natural way. In exteriors, they perfectly take the HD edge off the
    signal and look just great on human skin. It’s almost ineffable –
    they soften but never look soft. I just love them.
    Thanks Schneider!
    ”
    McLachlan Sees Thru Hollywood Black Magic
    ™
    Robert McLachlan ASC, CSC has shot over
    350 television episodes, 24 TV movies,
    a dozen features and over 300 commercials.
    He has earned four ASC nominations and
    won nine CSC Awards.
    He used the Hollywood Black Magic filters on
    Secret Circle
    ,
    Game Of Thrones
    , and for his current
    work on the TNT series,
    King and Maxwell
    .
    www.schneideroptics.com
    •
     SEPTEMBER
    2
    0
    1
    3
    VOL.
    9
    4
    NO.
    9
    The International Journal of Motion Imaging
    On Our Cover: Max De Costa (Matt Damon) spearheads a revolt against Earth’s off-world
    overlords in the sci-fi drama
    Elysium
    , shot by Trent Opaloch. (Photo by Stephanie
    Blomkamp, courtesy of Sony Pictures.)
    FEATURES
    34
    Worlds Apart
    Trent Opaloch tells a futuristic tale of class warfare
    for
    Elysium
    50
    Bangkok Dangerous
    Larry Smith, BSC travels to Thailand on
    Only God Forgives
    64
    Pounding More Than Pints
    Bill Pope, ASC shoots a wild booze-up for
    The World ’s End
    80
    American Mythology
    Bradford Young illuminates
    Ain’t Them Bodies Saints
    50
    64
    DEPARTMENTS
    10
    Editor’s Note
    12
    President’s Desk
    14
    Short Takes: Exitmusic,
    “White Noise”
    20
    Production Slate:
    The Patience Stone
    LACMA Salutes Figueroa
    94
    Post Focus:
    Una Noche
    98
    New Products & Services
    110
    International Marketplace
    111
    Classified Ads
    112
    Ad Index
    114
    In Memoriam:
    Geoffrey Erb, ASC
    116
    ASC Membership Roster
    118
    Clubhouse News
    120
    ASC Close-Up:
    Ron Fortunato
    80
    — VISIT WWW.THEASC.COM —
    [ Pobierz całość w formacie PDF ]

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