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    SEPTEMBER 2013
    $5.95
    Canada $6.95
    The smallest camera makes the biggest images.
    This still frame was pulled from 5k RED EPIC® motion footage from
    Elysium
    © 2013 CTMG. All rights reserved.
    www.red.com
    © 2012 Red.com, Inc. All rights reserved.

    The Red One was like getting our hands on the future for
    District 9
    . The Epic is a fantastic evolutionary leap forward. Its
    compact form, image quality and resolution were a perfect
    t for both the grittiness of future Los Angeles and the
    pristine offworld landscapes of
    Elysium
    .

    – Trent Opaloch

    It was love at first sight, when my assistant Dean Friss introduced me to the Hollywood Black
    Magic

    filters. They made 22 episodes of ‘Secret Circle’ look magical.
    They were the first things I packed for ‘Game of Thrones’. I knew they would be the perfect
    companions to the fabulous ARRI Alexa. These filters work great at softening and ‘romanticizing’
    without the image ever looking un-sharp in day/night and interior/exterior shots.
    At one point, I had a huge banquet scene in ‘Game’ that was lit almost entirely with candles.
    Hollywood Black Magic filters helped to spread and soften that candlelight beautifully
    in a very natural way. In exteriors, they perfectly take the HD edge off the
    signal and look just great on human skin. It’s almost ineffable –
    they soften but never look soft. I just love them.
    Thanks Schneider!

    McLachlan Sees Thru Hollywood Black Magic

    Robert McLachlan ASC, CSC has shot over
    350 television episodes, 24 TV movies,
    a dozen features and over 300 commercials.
    He has earned four ASC nominations and
    won nine CSC Awards.
    He used the Hollywood Black Magic filters on
    Secret Circle
    ,
    Game Of Thrones
    , and for his current
    work on the TNT series,
    King and Maxwell
    .
    www.schneideroptics.com

     SEPTEMBER
    2
    0
    1
    3
    VOL.
    9
    4
    NO.
    9
    The International Journal of Motion Imaging
    On Our Cover: Max De Costa (Matt Damon) spearheads a revolt against Earth’s off-world
    overlords in the sci-fi drama
    Elysium
    , shot by Trent Opaloch. (Photo by Stephanie
    Blomkamp, courtesy of Sony Pictures.)
    FEATURES
    34
    Worlds Apart
    Trent Opaloch tells a futuristic tale of class warfare
    for
    Elysium
    50
    Bangkok Dangerous
    Larry Smith, BSC travels to Thailand on
    Only God Forgives
    64
    Pounding More Than Pints
    Bill Pope, ASC shoots a wild booze-up for
    The World ’s End
    80
    American Mythology
    Bradford Young illuminates
    Ain’t Them Bodies Saints
    50
    64
    DEPARTMENTS
    10
    Editor’s Note
    12
    President’s Desk
    14
    Short Takes: Exitmusic,
    “White Noise”
    20
    Production Slate:
    The Patience Stone
    LACMA Salutes Figueroa
    94
    Post Focus:
    Una Noche
    98
    New Products & Services
    110
    International Marketplace
    111
    Classified Ads
    112
    Ad Index
    114
    In Memoriam:
    Geoffrey Erb, ASC
    116
    ASC Membership Roster
    118
    Clubhouse News
    120
    ASC Close-Up:
    Ron Fortunato
    80
    — VISIT WWW.THEASC.COM —
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